랜드스케이프 더블 폴딩체어

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 미반영 요구한 연출이 프롬프트에 실리지 않았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a young Korean woman, slim build, short black bob haircut, clean and calm demeanor, natural makeup. 100% match.
@Image2 — the product: a beige fabric double-wide folding chair with a metal frame, wooden armrests, and 'LANDSCAPE swiss' text/logo printed on the backrest center and upper-left. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 155 cm wide and 75 cm deep, 90 cm tall — roughly the width of two open hands side by side for one seat's share, sitting low like a wide outdoor lounge chair. It must never look larger than a doorway.

LOCATION:
an open grassy park clearing near a tree-lined trail, with soft natural daylight and a clear sky overhead.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already standing beside the folded chair, one hand resting lightly on its folded edge, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: gripping the folded chair frame with both hands and unfolding it open in one motion, the wooden armrests swinging outward until the seat locks flat on the grass
8–11s — The camera pushes in on the product as lowering herself down and settling her full weight back into the fabric seat, her back sinking against the backrest so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. she stays seated for the full clip without shifting or arching forward to relieve her back, sinking comfortably deeper into the backrest instead She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "앉은 지 두 시간인데, 허리가 하나도 안 아파요."
3–8s — "이런 의자 오래 앉으면 허리부터 뻐근해지잖아요."
8–11s — "저것 좀 보세요, 두 시간째 자세가 그대로예요."
11–15s — "허리 아프신 분들, 이거 하나면 야외에서도 편해요."

PERFORMANCE:
LINE_1 — she wants the listener to feel her own surprise; slight raised eyebrows, a small exhale as she settles back into the chair.
LINE_2 — she wants to name the shared complaint before contrasting it; a knowing half-smile, tilting her head slightly toward the listener.
LINE_3 — she wants to hand the discovery to the viewer; she turns and gestures toward her own lower back with an open hand, eyes widening slightly.
LINE_4 — she wants to leave the viewer with a clear takeaway; calm, steady gaze, a small satisfied nod as she finishes.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Beige woven fabric seat stretched over a rigid metal folding frame, wide enough for two people, with solid wooden armrests on each side.
- The fabric flexes slightly and holds its shape under body weight; the metal frame stays rigid and does not bow or creak visibly.
- The wooden armrests are fixed and solid, giving a firm surface when a hand rests or presses on them.
- NEVER: the frame or fabric never sags, wobbles, or loses its shape while someone is seated in it.
- Scale is fixed: about 155 cm wide and 75 cm deep, 90 cm tall — roughly the width of two open hands side by side for one seat's share, sitting low like a wide outdoor lounge chair. It must never look larger than a doorway.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Just open-air room tone — light wind through nearby trees, distant birdsong, the soft creak of the metal frame settling as she sits, fabric shifting faintly under her weight, and her voice carrying clearly over the outdoor quiet.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none