블랙앤데커 드립 커피머신

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 미반영 요구한 연출이 프롬프트에 실리지 않았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s to early 30s, slim and balanced build, short black bob hairstyle just above the shoulders, fair smooth skin, soft gentle facial impression, calm and composed demeanor. 100% match.
@Image2 — the product: a black cylindrical drip coffee machine with an embossed BLACK+DECKER logo on the body, integrated water tank and drip tray. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 30 cm tall and 14 cm across at the base — roughly one and a half times the height of an open hand held upright, sitting on the counter. It must never look larger than her torso.

LOCATION:
On the tiled counter of a bright home kitchen, beside a window letting in daylight, with a mug and a small dish rack nearby.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already standing beside the machine with one hand resting lightly near the top of its lid, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: pressing the single brew button on top of the machine once with one finger, her hand lifting away right after so the button stays untouched for the rest of the shot
8–11s — The camera pushes in on the product as the brew basket at the top of the machine releasing coffee down into the carafe below, steam rising gently off the surface as it fills so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the carafe visibly filling with coffee while she glances at the clock or her watch, then turns back already dressed and ready, showing the time this bought her She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "아침마다 이거 하나로 인생이 바뀌었어요."
3–8s — "버튼 딱 누르고 씻고 나오면 커피가 다 내려져 있더라고요."
8–11s — "그것만으로 출근 준비가 십 분은 빨라졌어요."
11–15s — "이 십 분이 진짜 하루를 살려줘요."

PERFORMANCE:
LINE_1 — wants to hook the listener with a sincere, slightly amused confession; delivered with a small surprised head-tilt and a soft laugh under her breath.
LINE_2 — wants to walk the listener through the exact moment of discovery; she mimes pressing a button in the air and widens her eyes slightly as if still surprised by it.
LINE_3 — wants to hand the listener the concrete payoff; she nods once, definitive, like she's just done the math out loud.
LINE_4 — wants to leave the listener with the takeaway, warm and certain; a small satisfied exhale and the faintest smile, eyes settling rather than lighting up big.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The body is hard matte black plastic, cylindrical, with the BLACK+DECKER logo embossed (not printed) into the surface.
- The integrated water tank sits flush against the body and does not flex or bulge when filled.
- The drip tray is a separate slotted plastic piece that can rattle slightly if bumped but does not bend.
- Coffee drips slowly and steadily from the brew basket into the carafe below, releasing thin rising steam and a soft trickling sound — never a fast pour or splash.
- NEVER: the machine must never visibly warp, glow, or spray coffee outward — it only drips downward into the carafe.
- Scale is fixed: about 30 cm tall and 14 cm across at the base — roughly one and a half times the height of an open hand held upright, sitting on the counter. It must never look larger than her torso.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet morning kitchen, the soft click of the brew button, a steady trickle of coffee dripping into the carafe, faint rising steam with no hiss, and her voice as the loudest thing in the mix.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a mug on the counter near the machine